4 Music Genres You Didn’t Know Existed

The concept of “musical genre” is becoming more and more blurred in music every day – performers actively combine the incompatible, trying to surprise their listeners. While musicians mix different styles and genres in their work, critics and the music press are actively using all kinds of labels and genre accessories to evaluate music.

The passion of journalists and critics to assign genres and styles to everything sometimes leads to the emergence of funny and even absurd musical genres that we don’t even know exist. In pursuit of ordering, critics come up with genres that are quite difficult to describe – it’s better to hear it once. In this article, we will talk about unusual musical genres, the existence of which you might not even have guessed. If music is too quiet entertainment for you, then you can try sports betting. It is important to compare different types of casinos and choose the best sports betting odds.

Lowercase or lower register music
In 2001, American sound engineer Stephen Rhoden inadvertently coined a genre of experimental and extra-minimal ambient music that he called “lowercase”. The genre can be said to have originated in Rodin’s attempts to characterize the sound of his Forms of Paper album. To record the disc, Rodin used various paper as instruments – the musician recorded sounds from sheets of paper of different density, processed it with the help of amplifiers and changed the sound signal in every possible way.

Steven claims to have been making lowcase music as far back as the mid-1980s. However, the first mentions of the genre in the media appeared only in 2002 after some publications drew attention to the compilation “Lowercase-Sound”, which first introduced the genre to the general public.

One of the brightest representatives of the genre, which will help to form an idea of ​​what a lowcase is, can be called Stephen Rodin’s composition “Bell Is The Truth (Berlin)”. The track was written specifically for the German exhibition “Resonanzen”, and for its recording the musician used light bulbs, which he played in a dark room.

Glitch hop
This is a genre of experimental electronic music that originated in the mid-1990s in Germany. The aesthetic beginnings of glitch can be found in the futurist Luigi Russolo in the manifesto The Art of Noises – the ideological basis of “noise music” (concrete music and, later, ambient and noise). Usually Glitch-Hop composition is based on classic hip-hop beats, but they are interspersed with the so-called “abstruse” glitch beats with characteristic clicks taken from IDM music. In many tracks, bass parts at low frequencies in the track play a “pumping”, sometimes decisive role, on which the main bet is placed in the composition.

Folktronics
Folktronica is a musical genre that includes various elements of folk music and electronics, often using acoustic instruments, especially strings. Includes hip hop, electronic, or dance beats, though varies based on influences and choice of sounds. Electronic musical instruments and music created only with their help have existed for more than 50 years. All this time, the musicians tried to organically combine acoustic sounds with electronic ones. It is not known how many such experiments were during this time, but so far only folktronics has been officially singled out as a separate genre.

As the name of the style implies, folktronics is a mixture of electronics and folk. One of the founders of the genre is the British musician Bibio, who in the early to mid-2000s began active experiments in mixing electronic music with folk and acoustics.

The 2005 album Bibio “fi” inspired the sound of the Scottish duo Board of Canada to create the album “The Campfire Headphase”, which is considered one of the clearest examples of pure folktronics. In addition, elements of folktronics or songs in this genre are found in the work of Alt-J, Animal Collective, The Books and Caribou.

Black MIDI
Black MIDI is little known outside of its own circle of fans, but this does not negate the existence of this unusual musical genre. The essence of black MIDI is to create MIDI remixes or author compositions consisting of thousands, millions or even billions of notes. The name of the genre comes from the appearance of the score, numbering tens and hundreds of notes standing side by side, merging into a black mess.

If you search Black MIDI on YouTube, you can find a bunch of insanely fast and intense songs. Despite being little known in wide circles, the genre’s community is alive and well: videos collect millions of views, and the authors join forces to create even richer and more interesting tracks.

The founder of the genre is the Japanese Shirasagi Yuki (aka Kuro Yuki Gohan), who in 2009 uploaded the track and video “Nico Nico Douga” to one of the Japanese video hosting sites. The composition was based on one of the musical themes of the 2D shooter “Touhou Project” and quickly gained popularity. Now the track sounds too primitive compared to the same “Necrofantasia 0.95 Billion (150 million) NO LAG” (yes, it really has 150 million notes).

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